Heavenly Peace

As the album continues to cast its spell, one quickly develops an appreciation for all the unique ways that Koldenhoven informs the holiday musical legacy, making new even the most familiar tunes and, simultaneously, the wonder of the Christmas story. Even more remarkable than her crystal-clear five-octave instrument (from below second alto to up, up, and away) is the fact that she manages to exploit its full range without showy, gimmick-laden histrionics.

Several original compositions, including the wordless "Angels' Pastorale," add depth to the listening experience, and the sensitive lyrics (especially on "Joseph's Question") are worthy of the delicate settings that cradle them. Even the best-known tunes are so imaginatively delivered that one may be more tempted to wonder where one has heard the song before than to (attempt to) sing along. "Silent Night," packaged a bit like The Manhattan Transfer's version, comes the closest to sounding like something I can use as a basis of comparison, although if you're a Sarah Brightman fan, this collection will surely appeal to you, as it mines similarly etheric stylistic territory. It even closes with Koldenhoven's heartfelt (and superior) take on one of Brightman's signature tunes, "Pie Jesu" from Andrew Lloyd Webber's Requiem.

Although hers isn't a household name, you may know the artist for her work with Yanni (she sang "Aria" on his Live at the Acropolis video and his In the Mirror CD), 2+2 (a jazz group with whom she earned three Grammy nominations and one award), or Inner Voices. The latter all-female quartet's 1990 Christmas Harmony is one of those very few holiday releases that have made my playlist every year since its release. I know that Heavenly Peace will join that special group of discs next year, and every year from then on.