Mnemosyne / Garbarek, Hilliard Ensemble | 
 enlarge | Creators: Jan Garbarek, Scottish Anonymous, Athenaeus, William Billings, Antoine Brumel, Guillaume Dufay, Hildegard Of Bingen, Mesomedes, Guillaume Le Rouge, St. Albans, Thomas Tallis, Veljo Tormis, Basque Traditional, Christmas Traditional, French Traditional, Native American Traditional, Peruvian Traditional, Spanish Traditional, Hilliard Ensemble
Label: Ecm Import
Category: Music
List Price: $36.98
Buy New: $22.49
You Save: $14.49 (39%)
New (11) Used (5) from $18.94
Rating:  7 reviews
Format: Import
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.5
Dimensions (in): 5.6 x 4.7 x 1
MPN: 465122
UPC: 028946512227
EAN: 0028946512227
Release Date: October 5, 1999
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Condition: Brand new, factory sealed. Fast shipping!
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| Tracks:
Disc 1
| • | Quechua Song - Jan Garbarek, Peruvian Folksong | | • | O Lord in Thee Is All My Trust - Jan Garbarek, Tallis, Thomas | | • | Estonian Lullaby - Jan Garbarek, Tormis, Veljo | | • | Remember Me My Dear - Jan Garbarek, 16th Century Scotla | | • | Gloria - Jan Garbarek, Dufay, Guillaume | | • | Fayrfax Africanus - Jan Garbarek, St Albans | | • | Agnus Dei - Jan Garbarek, Brumel, Antoine | | • | Novus Novus - Jan Garbarek, 13th Century France | | • | Se Je Fayz Dueil - Jan Garbarek, leRouge, Guillaume | | • | O Ignis Spiritus - Jan Garbarek, vonBingen, Hildegar |
Disc 2
| • | Alleluia Nativitatis - Jan Garbarek, 13th Century Englan | | • | Delphic Paean - Jan Garbarek, Athenaeus | | • | Strophe and Counter-Strophe - Jan Garbarek, Garbarek, Jan | | • | Mascarades - Jan Garbarek, Basque Folksong | | • | Loiterando - Jan Garbarek, Garbarek, Jan | | • | Estonian Lullaby - Jan Garbarek, Tormis, Veljo | | • | Russian Psalm - Jan Garbarek, 16th Century Russia | | • | Eagle Dance - Jan Garbarek, Iroquois | | • | When Jesus Wept - Jan Garbarek, Billings, William | | • | Hymn to the Sun - Jan Garbarek, Mesomedes |
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| Editorial Reviews:
Amazon.com
It's been six years since these same performers got together to create one of the decade's more unusual experiments in musical alchemy. Beginning with the raw materials of early music and modern jazz, the four male voices of the Hilliard Ensemble joined with jazz saxophonist Jan Garbarek to see what would happen when the proper measure of old music and new style were combined, shaped by the performers' considerable experience and collective aesthetic vision. The success of that recording, titled Officium, and subsequent concert performances paved the way for this second effort, continuing the performers' search for artistically meaningful, musically satisfying combinations of written music and improvisatory elements. The odd title of the new recording comes from a mystical poem by Friedrich Hoelderlin, quoted in the liner notes and accompanied by pictures from Ingmar Bergman's The Seventh Seal. Officium aficionados will notice that Mnemosyne is even more adventurous in its explorations, which range farther and farther from the printed page. Musical fragments and a general outline are the starting points for several pieces. Improvisation is more frequently and freely employed, but always adheres to an agreed stylistic framework. Alongside a Tallis hymn or a chant by Hildegard, we hear Iroquois and Peruvian song fragments, an ancient Greek tune, and a beautiful lullaby by Veljo Tormis. Garbarek's tasteful improvisations are appropriate additions, inspired commentaries. The Hilliards are even better than on Officium; their awareness and sensitivity brings everything together into a truly unified expression that shows the timelessness of music and reminds us that where rhythm, melody, and musical imagination join, different styles, centuries, and genres are not necessarily obstacles to compatibility. --David Vernier
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| Customer Reviews: Read 2 more reviews...
 A winter"s night July 23, 2005
Arturo Tomas Linn (Montevideo, Uruguay (South America))
6 out of 6 found this review helpful
Though I am not much of an expert in music as to write a good review, I have enjoyed Jan Garbarek's saxo for many years now, and most recently his previous work with the Hilliard Ensemble, "Officium".
What else can I say?
Just imagine a cold winter's night (and nights are cold these day in the Southern Hemisphere), cudled inside your home, by the fireplace, with the company of a good book, smoking your pipe, sipping some good french brandy and listening this marvelous music.
What else can compare to such an experience?
Tomas Linn
 horrible January 12, 2005
Matt (Ohio)
6 out of 31 found this review helpful
Cheesy saxophone and Gregorian chants do not go together, or if they do, they'll end up sounding like this. The Hilliard Ensemble is wonderful and I love to listen to it, but not with a bunch of tacky and unnecessary smooth jazz lines over top.
Sonorous beauty July 27, 2002
Chris Pennello (Santa Cruz, CA United States)
3 out of 3 found this review helpful
This album is pure bliss. Garbarek's soaring saxaphone playing accents and brings passion to the already rich and wonderful midieval choral pieces. Although the sax's melody lines are similar from certain tracks to certain tracks, I couldn't get tired of listening to this CD.
Lovely indeed February 25, 2002
Allan MacInnis (Vancouver)
I was fortunate enough to see Garbarek and the Hillard Ensemble perform pieces from this disc in Tokyo; one of the true surprises and delights of the evening (which I haven't found on the CD yet) was Garbarek's decision to quote from Albert Ayler's "Ghosts" on one piece. You might wonder with a classical vocal group who focus on early music and modern avant-garde choral composition have to do with Albert Ayler -- it seems a difficult gap to bridge. Hearing this two disc set will do much to make it clear. There is something genuinely spiritually uplifting in this music; it never approaches the New Agey wallpaper of Garbarek's weakest disc, VISIBLE WORLD, however -- it's not a tritened, mass-consumable spirituality at work here. There is grief, suffering, sorrow, pain, and fear acknowledged and embraced in this music; and yet it is still life affirming and inspiring (and beautiful to dream to). The spiritual aspect of Ayler's music, of free jazz itself, deserved the acknowledgement; Ayler was one of the most spiritually uplifting jazzmen of the movement, which often spoke in the idiom of the spiritual -- it would have been just as well (though far less moving, somehow, and far less musically appropriate) to quote "A Love Supreme"). Don't be worried by the unusual combination of jazz and classical elements; as another reviewer notes, Garbarek's voice blends in perfectly with the rest of the group, sounds a part of the whole. You'll forget that choral music usually doesn't include a soprano sax in a surprisingly short time. (Note - Garbarek brought a tenor to do the Ayler bit; I really don't know if it's on these discs, as I haven't listened to them in completion yet, but he does play tenor sax on them, so we can hope). Highly recommended stuff. The art for the booklet, by the way, is taken from Ingmar Bergman's SEVENTH SEAL, which is very, very appropriate. People who like and admire Meredith Monk's music (particularly BOOK OF DAYS, her finest work, by me) will appreciate this greatly, too. And vice-versa.
Uplifting February 21, 2000
Ole Skipper (Aarhus, Denmark)
21 out of 21 found this review helpful
A fantastic journey through time and space, ranging from ancient Greece to present-day compositions by Garbarek. No less spirited than Officium, but much more varied. Whereas Officium was very much the Hilliards with Garbarek adding (at times rather exhibitionist) comments, here they play together almost as a band - and what a band! With beautiful packaging and stunning production, this is immensely enjoyable and uplifting.
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