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Beethoven: Complete Piano Sonatas / Daniel Barenboim | 
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| Creators: Ludwig Van Beethoven, Daniel Barenboim
Label: EMI Classics
Category: Music
List Price: $66.98
Buy New: $37.10
You Save: $29.88 (45%)
New (29) Used (10) from $37.10
Rating:  19 reviews
Format: Box Set
Media: Audio CD
Discs: 10
Shipping Weight (lbs): 0.7
Dimensions (in): 5.3 x 5.2 x 1.5
MPN: 72912
UPC: 724357291224
EAN: 0724357291224
Release Date: October 20, 1998
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Brand new Item. CD, DVD, Book, VHS more than 400 000 titles to choose from. ALL days Low Price !
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| Tracks:
Disc 1
| • | 1. Allegro | | • | 2. Adagio | | • | 3. Menuetto: Allegretto | | • | 4. Prestissimo | | • | 1. Allegro vivace | | • | 2. Largo appassionato | | • | 3. Scherzo: Allegretto | | • | 4. Rondo: Grazioso | | • | 1. Allegro con brio | | • | 2. Adagio | | • | 3. Scherzo: Allegro | | • | 4. Allegro assai |
Disc 2
| • | 1. Allegro molto e con brio | | • | 2. Adagio molto | | • | 3. Finale: Prestissimo | | • | 1. Allegro | | • | 2. Allegretto | | • | 3. Presto | | • | 1. Presto | | • | 2. Largo e mesto | | • | 3. Menuetto: Allegro | | • | 4. Rondo: Allegro | | • | 1. In tempo di Menuetto | | • | 2. Allegretto - Piu allegro |
Disc 3
| • | 1. Allegro molto e con brio | | • | 2. Largo con gran espressione | | • | 3. Allegro | | • | 4. Rondo: Poco allegretto e grazioso | | • | 1. Allegro | | • | 2. Allegretto | | • | 3. Rondo: Allegro comodo | | • | 1. Allegro | | • | 2. Andante | | • | 3. Scherzo: Allegro assai |
Disc 4
| • | 1. Allegro con brio | | • | 2. Adagio con molta espressione | | • | 3. Menuetto | | • | 4. Rondo: Allegretto | | • | 1. Andante con variazioni | | • | 2. Scherzo: Allegro molto | | • | 3. Marcia funebre sulla morte d'un Eroe: Maestoso andante | | • | 4. Allegro | | • | 1. Andante - Allegro - | | • | 2. Allegro molto e vivace - | | • | 3. Adagio con espressione - Allegro vivace |
Disc 5
| • | 1. Grave - Allegro molto e con brio | | • | 2. Adagio cantabile | | • | 3. Rondo: Allegro | | • | 1. Adagio sostenuto | | • | 2. Allegretto | | • | 3. Presto agitato - Adagio - Presto agitato | | • | 1. Allegro assai - Piu allegro | | • | 2. Andante con moto - | | • | 3. Allegro ma non troppo - Presto |
Disc 6
| • | 1. Allegro | | • | 2. Andante | | • | 3. Scherzo: Allegro vivace | | • | 4. Rondo: Allegro ma non troppo | | • | 1. Allegro con brio | | • | 2. Introduzione: Adagio molto - Rondo: Allegretto moderato - Prestissimo | | • | 1. Andante | | • | 2. Rondo: Allegro | | • | 1. Allegro ma non troppo | | • | 2. Tempo di menuetto |
Disc 7
| • | 1. Allegro vivace | | • | 2. Adagio grazioso | | • | 3. Rondo: Allegretto - Adagio - Presto | | • | 1. Largo - Allegro | | • | 2. Adagio | | • | 3. Allegretto | | • | 1. Allegro | | • | 2. Scherzo: Allegretto vivace | | • | 3. Menuetto: Moderato e grazioso | | • | 4. Presto con fuoco |
Disc 8
| • | 1. Adagio cantabile - Allegro ma non troppo | | • | 2. Allegro vivace | | • | 1. Presto alla tedesca | | • | 2. Andante | | • | 3. Vivace | | • | 1. Das Lebewohl (Les Adieux): Adagio - Allegro | | • | 2. Abwesenheit (L'Absence): Andante espressivo | | • | 3. Wiedersehn (Le Retour): Vivacissimamente - Poco andante - Tempo 1 | | • | 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | | • | 2. Nicht zu geschwind und sehr singbar vorzutragen |
Disc 9
| • | 1. Allegretto ma non troppo | | • | 2. Vivace alla Marcia | | • | 3. Adagio, ma non troppo, con affetto - Tempo del primo pezzo - Allegro | | • | 1. Allegro | | • | 2. Scherzo: Assai vivace - Presto - Tempo 1 | | • | 3. Adagio sostenuto | | • | 4. Largo - Allegro - Prestissimo - Allegro risoluto (Fuga a tre voci, con alcune licenze) |
Disc 10
| • | 1. Vivace ma non troppo - Adagio espressivo - Tempo 1 | | • | 2. Prestissimo | | • | 3. Tema: Andante molto cantabile e espressivo - Variazioni 1-6 | | • | 1. Moderato cantabile, molto espressivo | | • | 2. Allegro molto | | • | 3. Adagio ma non troppo | | • | 4. Fuga: Allegro ma non troppo - L'istesso tempo di arioso - L'istesso tempo della Fuga - Meno alle | | • | 1. Maestoso - Allegro con brio ed appassionato | | • | 2. Arietta: Adagio molto semplice e cantabile - Variazioni |
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| Customer Reviews: Read 14 more reviews...
 Epic collection with one major flaw May 21, 2008
Jed (UK)
3 out of 4 found this review helpful
What flaw you're wondering? The slow moments are just too slow. It's not that I'm against slow music if that's what you're wondering, but Beethoven surely didn't mean for this music to be played at such tortoise paced speeds. I have heard at least 2or 3 renditions by other pianists of the slow movements and they are all faster. Barenboim surely meant to play these at his own peculiar tempo. Whether to be "iconoclastic" or not I think he misses the mark. Listening to the Waldesntein finale is excrutiatingly frustrating. Playing it more slowly does not add to the emotional impact at all, quite the opposite as you spend more time subconsciously urging on the dozy pianist closer to Beethovens intended vision.
Other than that, this set is great. Although recorded in the late 60s, the (stereo) sound is clear and crisp. The microphone sounds like it's placed at an ideal position not so far away as to sound distant and cold, not too near to near get that "can't see the wood for the trees" effect similar to viewing a painting too close up.
As for the music itself, Beethoven was one of the first composers to fully explore the *dynamic* possibilities of the instrument, rather the "alternative harpsichord" attitude that had prevailed before. So rather than relying on an endless run of pleasant little ditties he's not afraid to throw in some fortissimo chords in, which might wake you up with a bang if you have this of for "relaxation". The piano was arguably Beethovens instrument of choice for his deepest personal expression,so expect a wide range of moods contained herein. There is as you may expect the typical minor key excurions into almost mystical melancholy and fear, but he wasn't averse to a bit of playfulness here and there. It's quite a rollercoaster ride for the emotions.
The box itself is quite spartan in presentation. 10 CDs in individual cardboard sleeves showing a detail of Barenboim at the piano. One booklet with liner notes explaining the history of most of the famous sonatas.
So overall,good for the price. However, for the slow movements you may want to look elsewhere for more satisfying performances.
 Extraordinary music March 29, 2008
Teemacs (Switzerland)
1 out of 1 found this review helpful
I've owned many Beethoven sonatas, but never before a complete set - the good price won me. I have no way of judging whether this now elderly set cuts the mustard with newer sets or versions by other great pianists. All I know is this; this is extraordinary music, of great depth and expression. It is typical Beethoven, meaty, rock-solid stuff that knows exactly where it's going and gets there. That Daniel Barenboim gets across this message means (to me anyway) that it must be good.
Barenboim's Beethvoen June 27, 2007
Raymond S. Henry (Mt Laurel, NJ, USA)
5 out of 5 found this review helpful
I heard Bachaus play all Beethoven recitals at Carnegie Hall, in NYC. At that time he was the acknowledged master of the Beethvoen Sonata. With Barenboim, the old order changeth, yielding place to new. These recordings have fire, tempestuousness and passion, all emotions that belong in Beethoven.
One of the very best ever February 14, 2007
Frank Bosco (sanctuary)
12 out of 12 found this review helpful
This set has to be experienced. The clarity of these performances is beyond belief. If it's not the best set of Beethoven Sonatas, it is certainly among the very best. Take for example the first movement of Sonata number 21. It is so easy to have a performer play all the notes just as Beethoven wrote them and yet leave the listener in a morass of confusion without the slightest idea of what he had in mind. Not here. The ideas pour forth in a white light that has to be experienced. It really has to be experienced!! I love these performances. I will play them until I die. Oh...and the recordings are technically excellent. At least when played through Levinson electronics and Maggies....superb!
 dead in the water January 11, 2007
whiterabbit (Yakima, Washington United States)
3 out of 11 found this review helpful
Sorry, I just don't like Barenboim's renditions. Beethoven is my favourite composer, depending on my mood that is, and nothing moves me as his music can. But I just don't get Barenboim's renditions... doesn't do a thing for me. Something of Beethoven's depth and richness gets totally "lost in translation".
Better off finding a better performance of these if you really want to be "blown away". My favorite "Beethoven" conductor would have to be Herbert von Karajan; and as for individual pianists my all time favorite is Maurizio Pollini, whose performances are exquisite, in both technique and expression! If you are a music lover you should really check his work out if you haven't already. My favorite Beethoven CD by him is "Die Spaten Klaviersonaten" (Beethoven) by Deutsche Grammophon in their "legendary recordings" series. It is a real gem! (the sound quality is excellent also)
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