The Road (Oprah's Book Club) | 
 enlarge | Author: Cormac Mccarthy
Publisher: Vintage Books
Category: Book
List Price: $14.95
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Rating:  1626 reviews
Media: Paperback
Pages: 287
Number Of Items: 1
Shipping Weight (lbs): 0.8
Dimensions (in): 7.9 x 5.1 x 0.9
ISBN: 0307387895
Dewey Decimal Number: 813.54
EAN: 9780307387899
Publication Date: March 28, 2007
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Amazon.com Review
Best known for his Border Trilogy, hailed in the San Francisco Chronicle as "an American classic to stand with the finest literary achievements of the century," Cormac McCarthy has written ten rich and often brutal novels, including the bestselling No Country for Old Men, and The Road. Profoundly dark, told in spare, searing prose, The Road is a post-apocalyptic masterpiece, one of the best books we've read this year, but in case you need a second (and expert) opinion, we asked Dennis Lehane, author of equally rich, occasionally bleak and brutal novels, to read it and give us his take. Read his glowing review below. --Daphne Durham
Guest Reviewer: Dennis Lehane
 Dennis Lehane, master of the hard-boiled thriller, generated a cult following with his series about private investigators Patrick Kenzie and Angela Gennaro, wowed readers with the intense and gut-wrenching Mystic River, blew fans all away with the mind-bending Shutter Island, and switches gears with Coronado, his new collection of gritty short stories (and one play).
Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane
Product Description
NATIONAL BESTSELLER
PULITZER PRIZE WINNER
National Book Critic's Circle Award Finalist
A New York Times Notable Book
One of the Best Books of the Year
The Boston Globe, The Christian Science Monitor, The Denver Post, The Kansas City Star, Los Angeles Times, New York, People, Rocky Mountain News, Time, The Village Voice, The Washington Post
The searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food-—and each other.
The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.
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| Customer Reviews: Read 1621 more reviews...
 Overwrought and Over-reviewed December 1, 2008
C. Maxwell (Houston TX, USA)
I was compelled by the genre that this book purported to fall into coupled with the fact that it won the Pulitzer Prize. I because of the later, I wasn't expecting "The Road Warrior" or anything, but what I was expecting was something of worth. That's most definitely not what I got.
The entire narrative left me with a handful of words consistently popping to mind, in no particular order: grey, okay, ash, cart, cold, starving. There are more, but they are equally as dreary.
Much of this "story" is a bleak road picture following a man and a boy south to get warmer after some cataclysm of global proportions wipes out most life. The main problem is that there are inconsistencies in the narrative, and with no plot (which is fine) and with what seems to be a choice not to punctuate properly (some but not all apostrophes and all quotation marks are missing), events such as finding an amazing cache of food in one scene, to be nearly starving again only pages later, then pages after that producing a can of peaches that he and the boy share in the cold. An awful lot of time is spent traveling south and quickly searching houses for supplies, but nearly four days are spent searching a boat, the man wracking his brain for helpful insight of where one might hide food or supplies on such a vessel.
My guess is that this book is intended to be entirely metaphorical. I surmised at one point that the man and the boy as well as some other characters that appear are all meant to be parts of the same psyche; letting cynicism and paranoia die in favor of innocence and hope, even if naive hope is the best that can be arrived at. Perhaps the child represents the future, potential, and the man represents the present, stagnation. There is an "old man" character that pops up seeming to reinforce this hypothesis, perhaps representing the past, acquiescence, and blind acceptance, but then one must wonder why the same number of pages are devoted to description of cannibal slave-driver soldiers that the man and boy hide from. Not only that, but such encounters seem to reinforce the man's reluctance to stop and trust other people to protect the boy. If the story is a metaphor, what is it meant to illustrate?
Moral ambiguity abounds, but it is pointed out as much more serious than one the circumstances dictate. The man kills another, clearly malevolent person, to protect the boy. No pontification, but time is spent with the man trying to rationalize this with the boy. Rationalization is made for taking food from abandoned houses, but not from abandoned supermarkets or from dried and abandoned apple orchards.
Personally, I believe that the boy is not the man's son, but that he has taken the boy as his responsibility following the suicidal death of the man's wife. She gives birth to a son and kills herself after the cataclysm, but tells him that he must face reality - that he could never take care of the baby himself in this horrible world they are faced with. The boy could be his son, but it doesn't need to be, at least not biologically. The drive of the man is to prove this woman, the love of his life that he has lost, wrong. To this end, poor planning on his part, and a deadly condition leaving him with limited time in which to do this, leads to stumbling along "the road" and into dangerous situations and near calamity.
I can only recommend this book to aspiring writers wanting to know what it takes to win the Pulitzer Prize. Clearly, punctuation, plot, character development and consistent narrative aren't necessary, but drawing vague metaphors regarding human nature and the declination of western society are encouraged.
Lame.
The Good and the Bad November 30, 2008
E. Von Ray (United States)
1 out of 1 found this review helpful
Its a beautifully written novel and the two main characters are interesting and they do have some unusual encounters in what is essentially a world in ashes. I cant fault the author in his style and the main idea but I found the last 50 pages to be lacking. I couldnt help but feel let down by the ending. That was it? Not to spoil it for anyone else but the author made some odd choices in what he would describe at length, in great detail, and then almost rush past others, in particular the ending.
So I give it 5 stars for the writing, 3 for the story and execution, for a 4 star average. Its worth the read.
The Road y Cormac McCarthy November 30, 2008
Dr. Justin Cranfill (Los Angeles)
1 out of 1 found this review helpful
Honestly, I loved this book. It's bleakness, its strange new post apocalyptic world, its overall sense of hopelessness. But I can totally see a lot of people hating this book. The timing, structure, and dialogue are not formulaic so if you are looking for a summer beach book, this is not it. If you are looking for a good piece of literature with themes, emotions, and vision, you could do much worse than the Road.
 Interesting, but not for the genre November 30, 2008
Thomas Barker (Lawrence, KS United States)
The book itself is okay in that it does describe what a post-apocalyptic world maybe like and removes most of the romanticism associated with it. If you are wanting to read a book that takes an artistic approach to dialogue and character development then this book is for you.
However, if you are really into the the post-apocalyptic genre then this book may be a great disappointment, other then as mention gets rid of some of the romanticism of it and places the harsh reality of an end of the world scenario in front of you. Compared to classics like "Earth Abides" and "Atlas, Babylon" this book just does not compare.
 Modern Masterpiece November 29, 2008
Dan Richo (Sydney, Australia)
1 out of 1 found this review helpful
Read it in one sitting. I need to read it again to pick up the subtle details in narrative. The conversation style that many have commented on is done to reflect the condition of these two people. Starving, physically weak and emotionally damaged by the horrors they witness on their journey. Recommended read.
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